For the first time since Matias had died, Carmina did not feel alone. As she dangled over the edge with the wind blowing through her raven hair, Carmina felt akin to them. The crows seemed to care about her wellbeing. She looked down for a second and a thunder of caws interrupted her dark impulse. She felt their heavy stare on her, calculative and enigmatic, as if they were assessing her. Soon, a flock of crows were covering the railing of the bridge, staying close to her. Carmina stared at the crow, confused.Īnother crow landed on the railing, then another. Her grip on the railing loosened and the crow cawed raucously. One landed on her shoulder and stared intently into Carmina's eyes, as if peering into her soul. The cloud split open and glossy black crows dove from the sky. Carmina opened her eyes and saw a black cloud of feathers flying towards her. Suddenly, a cacophony of caws filled the sky. She looked down, watching the fierce river smash into a giant boulder. She climbed over the railing and her legs wobbled as she stood on the lip of the bridge. Several cars drove by Carmina, but none stopped. Carmina walked to the railing of the bridge that stood over the turbulent river. She was convinced that she had nothing left to live for. Her mother was gone, her brother was dead, and her father blamed her for it all. She was convinced that nothing could bring her relief. On the bleak morning of Matias' birthday, Carmina walked to a narrow bridge several blocks away from home. Crippled with self-loathing, she could no longer paint. Months passed, yet her loss was as fresh as morning dew. Her father did not say a word, because he did not have to. The following morning, the world was cloaked in darkness. Her father snatched Matias's body away from her, and she cried until her voice broke. Her father found Carmina sobbing on the creek's shore, clutching her brother's body in her arms, surrounded by a murder of crows. She jumped into the creek and found him floating on the surface with vacant eyes, unblinking. While searching, she saw a bright red coat floating on the narrow creek by the house - Matias' jacket. She called her brother's name, looking for him everywhere. She asked her father, but he had paid no attention to Matias.
When she returned outside, Matias was nowhere to be seen. Carmina rushed to the house to answer the phone and hung up a few seconds later. Her father remained in the yard, drinking his beer. She became the caretaker of Matias, her little brother, despite still being a child herself.Ī year later, Carmina was painting with Matias outside when the telephone rang. Her father blamed Carmina for her mother's abandonment, which added to her grief. She grew up carrying the guilt of her mother's sudden departure. Sitting outside, she painted dramatic fjords while feeding the crows nested in the tree next to the house. Growing up a rugged coastal village in southern Chile, she sketched the sublime landscapes of Patagonia. However, with the new Mori system, they can end games before they even begin.Carmina Mora was a gifted artist who carried the guilt of her young brother's death. Killers like The Nurse, The Blight, and The Oni have powers that can certainly be game-changing.
Because the new Mori system ends the game, regardless of perks, when the last player is downed, specific killers can take advantage of this better than others. Yet, the problem on the killer side arises when certain killers enter the game and get a good start.
With the updated Unbreakable perk, survivors can pick themselves up from the downed state, which may appear to make this system work just fine. However, with this new Mori system, the game simply ends when all survivors are downed. On the surface, this seems like a fairly tame buff - however, once players really read the language of the system, the problems begin to occur.ĭowning a survivor is not the same as killing them.
NURSE MORI DBD UPDATE
The proposed change of update 6.0.1 would change the Mori from a consumable killer add-on to an automatic system that triggers when the last survivor is downed. Basically, it allows the killer to perform a special kill on a survivor without having to hook them three times.
A killer's Mori is a finisher add-on a killer can use after certain criteria are met.
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